Articles tagged with: dubstep
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Always working to bring a variety of sounds to the tables, Atma and Rhythmicon present a free two track selection that showcases the flavour that can be found in “dubstep”. Mondo Dub is pure jazz action with strings, pianos, sax, and huge sub bass. Skanksters Paradise brings the dubby vibes, combining floating synths, horns and rolling drums (as heard on Rhythmicon’s recent CD “Tonight”) …
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Here’s some exclusive dubstep refixes from AFL, the man behind the immensely popular Smoke Sessions mix series (which has reached over 88,000 downloads worldwide via Mininova.) Expect a full interview with the man himself very soon. For now here’s some stripped-down, dubby refixes of Tanya Stephens’ It’s A Pity and Capleton’s Day Me Borne. Don’t sleep on this one! …
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Evol Intent, the triad of father/son/holy spirit comprised of the king of new disco Treasure Fingers, Computer Club and Ludachrist, headed out all together on a tour of these United States last week, continuing from now until right around Thanksgiving. In honor of the jaunt, the guys have released this new treatment of “Raven”, the fantastic club track from Russia’s The Proxy. The edit is a super dark and dubby three-and-a-quarter minutes of sinister drums and synths and the cinematic squeal calling card that the original “Raven” was identified by …
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Okibi of Coast Media Collective recently had the pleasure of sitting down with Jon-E Industry, the brains behind Nu Industry Recordings. With multiple releases tracking on the Beatport charts and play from some of the world’s biggest DJs, Nu Industry Recordings has become a label to reckon with. Here’s what Jon-E Industry had to say about his DJing, label, and the rapidly growing genre that is fidget house …
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Skream adds his signature dubstep sound to Chromeo’s first new single since 2007. Green Label Sound is offering up a free download of both the original and remix. From Dave 1 of Chromeo: “I was confused when I first heard this: all of a sudden, our song sounded like a Bone Thugs record. That’s because I couldn’t hear Skream’s satanic sub-bass on my computer speakers. Then I switched systems and it made perfect sense. Play this loud and you’ll hear all the hypnotic qualities you’d expect from the grand wizard of UK dubstep.” …



